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In fact, while detail levels are a touch inconsistent (some of the full CGI environments look less emphatically 4K than the real world captures), there are times where the picture is up there with the sharpest 4K images I’ve seen to date. Which might explain why, despite the 2K DI, the 4K Blu-ray picture looks significantly more detailed and crisp than the HD Blu-ray does. It was, though, seemingly shot predominantly on 6.5k and 3.4K cameras, and ILM told me recently that it was working at around 6K for many of its digital effects. It appears that Jurassic World: Fallen Kingdom received merely a 2K digital intermediate for its cinema release. The sequences in Lockwood’s mansion again steal the color show, thanks to the extra nuance and luster the wide color grading finds in the walls, shadows and warm lighting sources.
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Skin tones look enhanced but still natural, while more artificial light and color sources look spectacularly intense and vivid. It’s great to see, too, that the impressively expanded light range on the 4K Blu-ray has been matched by a beautifully judged and carefully matched expansion of the color palette.
That auction revels, too, in some really intense extremes between very bright areas (such as the white under-cage lighting) and the pretty much black walls of the room. Photo: Jurassic World: Fallen Kingdom, Universal Pictures The Lockwood Mansion looks beautiful in HDR. The HDR really sells, too, the difference between the warmth of the main mansion and the sterile coldness and artificiality of both the basement laboratory and the ill-fated dinosaur auction. All of which intensifies the creepiness of having a large monster incongruously stalking the halls of an otherwise cosy, homely space. The mansion’s subtle artificial lighting and beautifully glossy and rich wooden interiors enjoy a gorgeous extra warmth and glow thanks to HDR, as well as enjoying enhanced shadow detailing and an improved sense of space and scale. The most flat-out beautiful HDR enhancements, though, appear in Lockwood’s manor house, especially during the film’s final ‘Gothic’ section.
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Plus all daytime exterior shots look much brighter and more realistic, while there’s markedly more fiery intensity to the volcano’s lava flows and fireballs. The impact of the HDR continues to impress with the shots of Malcolm in the courtroom, giving them a more defined, stylish look. The intensity of the running lava and white-on-black film logo at the end of the opening sequence are also enough to get you salivating. The impact of the HDR grade is obvious right from the off, as the gorgeously deep blacks of the night sky above Isla Nublar are punctuated spectacularly by the bright spotlights of the helicopter and the read-outs on the richly colored display screens. Finally there’s ‘Jurassic Then and Now, presented by Barbasol’ a short mash up of all the films covering everything from awe of seeing dinosaurs to the popularity of the T-Rex and various dinosaur ‘close encounters’. After these there are 12 ‘Chris Pratt Jurassic Journals showing behind the scenes footage of particular individuals that covers everyone from the makeup artist and hairstylist to the stunt guys, divers and script assistants.
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What you get: The All-region 4K Blu-ray, a Region-free HD Blu-ray, and a region-locked digital download code.įeatures: A long list of mini behind the scenes featurettes: On Set With Chris & Bryce The Kingdom Evolves Return to Hawaii Island Action Aboard the Arcadia Birth of the Indoraptor Start the bidding Death by Dino Monster in a Mansion Rooftop showdown Malcom’s return VFX Evolved Fallen Kingdom - The Conversation - with chief cast and crew A song for the kingdom (brief interlude showing Justice Smith singing a song he made up about shooting the film). Crucially, too, thanks to a remarkable mix of practical and digital special effects, the dinosaurs look better than ever. The film always looks lovely, though, and undeniably delivers some entertaining thrills and spills.
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